
Former Bucs DE Steve White
By STEVE WHITE
JoeBucsFan.com analyst
Steve White spent every season of the Tony Dungy era (1996-2001) playing defensive end for the Bucs. He’s spent countless hours in the film room with the likes of Warren Sapp, Rod Marinelli and more. Joe is humbled to have White, also a published author and blogger, as part of the JoeBucsFan.com team. Recently, White even contributed “Insider” NFL Draft content to ESPN.com.
Below is White’s weekly Bull Rush column that breaks down all things defense with a focus on the defensive line. It’s simply a can’t-miss read for the hardcore Bucs fan.
With the 2009 season over, White has broken down every Bucs defensive lineman and is now sharing his views on offseason preparation.
Today he reveals his personal approach to offseason film study.
One of the things I liked to do in the offseason was watch film. But the term “watching film” means different things to different people, so I figured I would illustrate how I tended to watch film in the offseason and the thinking behind it.
The film I watched most in the offseason was film of me during the previous season. Call it self-scouting or whatever moniker you want to give it, I thought and still feel that you can learn more in the offseason by watching yourself than you can in watching film on your opponents for the upcoming season.
The key, of course, is to be your own worst critic and focus more on your bad plays than your good ones.
I always wanted to see how many plays I potentially left out on the field and what I could do to make sure that that didn’t happen again.
Look For Tipping Off Opponent
That approach allows you to work on your mindset in the offseason when you aren’t working on the physical aspects of the game. You never want to go through a season and make mistakes and never learn from them. The key to a long NFL career is not to be perfect, but instead to never make the same mistake twice.
It’s also a good idea to pay attention to whether, as a defensive lineman, you tip off your responsibilities and/or become predictable in your movements.
Does it appear that the offensive lineman knows where you are going before the snap? Was the guy set up for a counter move that you never made? Is there anything about your stance that changes from play to play enough for them to pick up on?
These are the questions you want to be asking yourself so that you maximize your potential to make plays.
I would only start watching my upcoming opponents AFTER taking a long hard look at myself. But obviously at a certain point it’s time to start looking forward.
While watching film in the offseason, obviously you know who your opponents will be for the upcoming season but you may not know the exact order of the games. And, of course, with personnel moves and injuries the guy who you are watching on film from the previous season may not be the guy who lines up across from you on gameday months later. So, in my opinion, you should only focus on your division opponents since you are going to have to face them twice regardless.
The rule of thumb with offseason scouting is to not get too caught up on the details when it comes to your opponent. You don’t want to start trying to figure out blocking schemes or the pattern of play calling. Instead, you want to focus on the guys who will potentially be blocking you and how they handled other defensive linemen the previous seasons. For me, I wanted to focus primarily on third-and-long plays for the purposes of watching their pass sets. Other folks may want to watch it all, however.
There are several different sets that offensive linemen can take, and with each different set you have to rush them differently. Some guys like to get you right on the line and they are called short-setters. They try to punch you right away to halt your momentum and throw you off rhythm. In that situation you will need to be quick with your hands to knock their’s down and quick enough to burn the edge and make them catch up to you.
Other offensive linemen may get depth but try to keep their shoulders parallel with the line of scrimmage as long as possible. The natural inclination is to try to bull rush this set, but that’s exactly what they want you to do, so instead you should either try to burn the corner with a wide rush or do the bull rush but quickly rip off inside before they sit down.
Then you have some that get depth AND turn their shoulders perpendicular to the line of scrimmage or close to it. These are generally the worst offensive linemen but not always.
But with that set they are basically begging you to either run right up the middle of their numbers with a bull rush or to go upfield and then back up under with a spin move, or some other quick change of direction. If you find an offensive lineman with this set, then you kind of start to lick your chops and also focus on the fact that you have to maximize your production when you go against them because sacks and other stats are hard to come by.
Young O-Linemen Have Quirks
I would end up watching some straight game film also though but not much. Generally, what I liked to look for is any tells an offensive lineman might have.
One thing you find is that offensive lineman, especially the young ones, tend to have little quirks before the snap. Whether it’s a change in the width or depth of their stance from passing plays to running plays, or its a guy who twists his foot in the ground whenever there’s a running play called (yes that actually happened). If you look hard enough and long enough, you may just find the little tip off that helps you make a big play months later.
Well, that’s how I watched film in the offseason. Hopefully it was insightful if not entertaining.
I will say that the most important thing isn’t just watching film, it’s WHAT you’re watching and HOW you’re watching it.